The disclosure of internal conflicts that compose the complex human nature is the focus of the new series of drawings by the young Belgrade artist Vladimir Lalić. Approaching the visual by duplicating the principles of psychoanalysis, the artist desires to bare and then correctly reassemble the internal self of man. The thematic foundation of Lalić’s expressive drawings with suggestive titles is the portrait, as a symbol of the human character and therefore, as the essential means of recognition in human interactions.
Ana Bambić